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Spencer Boldman and Antonia DeNardo Launch Forza Partners With TV and Film Ambitions

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Spencer Boldman and Antonia DeNardo launch Forza Partners at a moment when independent film and television companies are racing to secure original IP, talent-driven projects, and global distribution opportunities. The new Dallas-based banner signals a serious move into development, production, and release strategy, with both founders aiming to build projects from the ground up rather than step in late in the process.

Positioned for both domestic and international markets, Forza Partners is entering the entertainment business with a clear mission: back filmmakers early, stay involved creatively, and help shepherd stories all the way through marketing and launch. For viewers, creators, and industry watchers in the TV & Video space, that makes this a notable company debut worth watching.

Spencer Boldman and Antonia DeNardo Launch Forza Partners in Dallas

The headline development is straightforward but significant: Spencer Boldman and Antonia DeNardo launch Forza Partners as a new production company focused on film and television. Headquartered in Dallas, the company appears designed to operate as a hands-on creative partner rather than a passive financier or packaging outfit.

That distinction matters. In today’s crowded content market, production companies that participate from concept to release often have more control over tone, talent alignment, audience positioning, and long-term brand value. By emphasizing early collaboration with filmmakers, Forza Partners is aligning itself with a development-first model that can be especially attractive to writers, directors, and authors looking for committed partners.

What Forza Partners says it wants to do

  • Develop film and TV projects for U.S. and international audiences
  • Work with filmmakers at the earliest stages of a project
  • Remain actively involved through production, marketing, and release
  • Build a slate that combines original storytelling with recognizable talent

For a newly launched company, that is an ambitious framework. It also suggests that Forza Partners intends to compete not just on creative taste, but on end-to-end execution.

First Projects Give Forza Partners a Clear Identity

As Spencer Boldman and Antonia DeNardo launch Forza Partners, the company is not starting with a vague announcement or a blank slate. It already has multiple projects that help define its creative direction.

Alive: a mystery series based on Last Seen

One of the most intriguing titles in development is Alive, a television series based on Christopher Castellani’s 2026 novel Last Seen. The story centers on four young men from different backgrounds who are discovered dead in rivers under eerily similar circumstances. The series will reportedly explore both the mystery surrounding their deaths and the connections they shared while alive.

This premise gives Forza Partners an immediately compelling TV identity. It combines:

  • Literary source material
  • Prestige-drama potential
  • A layered mystery structure
  • Social and emotional depth through intersecting lives

Boldman is writing the pilot and will produce alongside Castellani and DeNardo, a sign that he is expanding his role beyond acting into scripted development and authorship.

The Ronnie Milsap biopic remains in the mix

Forza Partners is also developing the previously announced Ronnie Milsap biopic. Country music legend Ronnie Milsap is producing the project with Boldman and DeNardo, while Boldman is attached to star.

This project offers another clue about the company’s strategy. Alongside darker prestige television like Alive, Forza appears interested in commercially accessible biographical storytelling with built-in audience awareness. Music biopics continue to perform strongly because they connect fandom, nostalgia, and awards potential in one package.

Why This Launch Matters in TV and Film

When Spencer Boldman and Antonia DeNardo launch Forza Partners, they bring complementary strengths to the table. Boldman has industry visibility as an actor, while DeNardo contributes deep experience in management and producing. That combination can be especially effective in a market where talent relationships often drive packaging, financing conversations, and project momentum.

Boldman first gained attention through Disney XD’s Lab Rats before moving into projects such as 21 Jump Street, Disney Channel’s Zapped, Cruise, and Hulu’s Welcome to Chippendales. His latest release, You Can’t Leave, a supernatural thriller he stars in and executive produces, arrives in theaters this week through Guilder Cinema Group.

DeNardo, meanwhile, is known through Millennium Artists and has worked with a roster that includes Noah Munck, Paola Andino, YaYa Gosselin, Carson Minniear, Spencer Stevenson, and Boldman. Her management background could prove valuable as Forza seeks to attract writers, actors, directors, and underlying rights holders.

Why Dallas is an interesting base

Dallas is not the most conventional headquarters for a film and television production startup, which may actually be part of the appeal. Operating outside Los Angeles or New York can offer strategic advantages:

  1. Lower overhead and greater operational flexibility
  2. Access to regional production opportunities
  3. A distinct company identity outside traditional Hollywood ecosystems
  4. Potential appeal to creators looking for fresh industry models

As more production activity decentralizes across the U.S., location is becoming less of a barrier for ambitious media companies.

What to Watch Next From Forza Partners

Because Spencer Boldman and Antonia DeNardo launch Forza Partners with active projects already in motion, the next phase will be crucial. Industry observers will likely be watching for several indicators of traction:

  • Whether Alive lands at a major network or streamer
  • How quickly the Ronnie Milsap biopic advances
  • What additional film and TV titles join the slate
  • Whether Forza develops a recognizable creative brand across genres

The company’s early messaging suggests it wants to be known for close creative involvement and long-view project building. If it can consistently pair strong material with talent access, Forza Partners could become a meaningful boutique player in scripted entertainment.

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Conclusion

Spencer Boldman and Antonia DeNardo launch Forza Partners with more than a press-friendly announcement; they are entering the market with a defined strategy, active development, and a blend of talent, management, and producing experience. With Alive and the Ronnie Milsap biopic already helping shape its slate, Forza Partners looks poised to make a credible play in both television and film. If the company delivers on its promise to stay involved from idea to release, this could be one of the more interesting new production banners to watch in the coming year.

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