Haley Jones joins Kaplan/Perrone Entertainment in a notable move for the representation world, marking a new chapter for a manager who has steadily built momentum in film and television. The transition signals both personal career growth and broader movement within the TV and video talent ecosystem, where managers with strong writer-director rosters are increasingly central to packaging and long-term career strategy.
Jones arrives at Kaplan/Perrone Entertainment after more than six and a half years at Artists First, where she rose from literary coordinator to manager. That climb matters: it reflects not only industry staying power, but also the kind of developmental expertise that can shape careers from early promise to market-ready success.
Haley Jones joins Kaplan/Perrone Entertainment in a strategic career move
The news that Haley Jones joins Kaplan/Perrone Entertainment stands out because of the caliber of clients she represents and the trajectory she has established in literary management. In today’s TV and film landscape, lit managers do far more than field scripts or take meetings. They help clients identify opportunities, refine creative brands, navigate staffing and feature development, and build careers that can last beyond a single hit project.
At Kaplan/Perrone Entertainment, Jones is expected to continue that work with a growing roster of writers and creators across scripted television and film. Her move comes at a time when representation firms are competing for executives and managers who can identify commercially viable voices while also cultivating long-term creative value.
A roster with strong TV and film momentum
One reason this development has drawn attention is the range of talent Jones brings with her. Her client list reportedly includes:
- Melissa Osborne, known for My Fault London and Your Fault London
- Tracie Laymon, associated with Bob Trevino Likes It
- Crystal Ferreiro of Sidelined: The QB and Me and Sidelined 2
- Cassidy Lee of Disinherited
- Cat Davidson of Mayfair Witches
- Cathryn Humphris of Virgin River
- Mahtub Zare Mochanloo of Nobody Wants This
- Clea Decrane of Shifting Gears
This mix of clients points to a manager comfortable working across commercial drama, romance, adaptation, and creator-driven projects. It also helps explain why the headline Haley Jones joins Kaplan/Perrone Entertainment resonates beyond a routine personnel update.
Why this management move matters in TV & Video
In the TV and video business, representation moves often reveal deeper industry currents. When a manager with a credible roster changes companies, it can influence development pipelines, agency relationships, staffing conversations, and packaging dynamics. The fact that Haley Jones joins Kaplan/Perrone Entertainment suggests Kaplan/Perrone is continuing to strengthen its position in literary representation.
For creators, the significance is practical. A manager’s platform can affect access to buyers, producers, showrunners, and adaptation opportunities. The right firm can also provide broader support in brand-building, rights management, and long-range career planning.
What Jones’ background brings to the table
Jones is a Bay Area native and a graduate of USC’s School of Cinematic Arts, a background that aligns with the development-heavy path many successful managers take. She also began her career as an assistant in UTA’s TV literary department, giving her early exposure to the mechanics of high-level representation and deal flow.
That progression—from assistant to coordinator to manager—suggests an executive who understands both the administrative and strategic sides of the business. It also reinforces why the announcement that Haley Jones joins Kaplan/Perrone Entertainment is more than a title change; it is a marker of earned industry credibility.
Industry reaction to Haley Jones joining Kaplan/Perrone Entertainment
Statements surrounding the move underscore mutual optimism. Kaplan/Perrone’s leadership praised Jones’ tenacity and passion for representing artists, a signal that the firm sees her as a strong cultural and strategic fit. Jones, in turn, expressed gratitude for her years at Artists First while framing the transition as an opportunity to keep building and growing her clients’ careers with a new team.
That tone is important. Representation shifts can sometimes imply disruption, but in this case the message is one of continuity and expansion. As Haley Jones joins Kaplan/Perrone Entertainment, the emphasis appears to be on maintaining client momentum while benefiting from fresh infrastructure and collaboration.
What this could mean for clients
For writers, directors, and creators on Jones’ roster, the move may offer several advantages:
- Broader connectivity: a new firm can open different doors to producers, studios, and streamers.
- Fresh positioning: clients may benefit from renewed strategy around specs, staffing, features, or overall deals.
- Long-term growth: a management transition can create new opportunities for expansion into TV, film, and cross-platform storytelling.
As the business continues to evolve, managers who can balance taste, advocacy, and market intelligence remain essential. That is why news that Haley Jones joins Kaplan/Perrone Entertainment is relevant not just to insiders, but to anyone tracking where creative power is consolidating in entertainment.
Read more:
Explore more:
- Explore more stories at Human of Dublin
- Explore culture and entertainment features on Luxe Digest
- Explore trending media coverage on Daily Digest
Final takeaway
Haley Jones joins Kaplan/Perrone Entertainment at a moment when strong literary managers are playing an increasingly influential role in TV and film development. With a solid background, a respected client roster, and clear support from her new firm, Jones appears well-positioned for an impactful next phase. For anyone watching the TV and video business, this is the kind of management move that can shape future projects long before they reach the screen.
