Tag: A24
Indie Films Opening This Weekend: Elon Musk Documentary, Misty Green and...
The indie films opening this weekend include Musk, Misty Green and Fjord, signaling a strong, awards-focused moment for specialty cinema.
Sadie Sink’s ‘The Guest’ Movie at A24: What We Know About...
A24, Sadie Sink and Lorene Scafaria are circling Emma Cline’s The Guest. Here’s what to know about the buzzed-about adaptation.
A24’s ‘You Can See Everything’ Becomes Alamo Drafthouse’s Top-Preselling Documentary
A24’s You Can See Everything has become Alamo Drafthouse’s top-preselling documentary, fueled by Elizabeth Holmes intrigue and strong early buzz.
Why ‘You Can See Everything’ Is One of 2026’s Most Unsettling...
A24’s You Can See Everything turns Elizabeth Holmes’ final days before prison into one of 2026’s most unsettling documentaries.
Neon’s SCP Foundation Movie Embraces Open-Source Horror in a Surprise Challenge...
Neon’s SCP Foundation movie could redefine open-source horror by embracing Creative Commons instead of traditional studio exclusivity.
Adjani Salmon Says U.S. Comedy Pay Outpaces UK TV Budgets as...
Adjani Salmon says one U.S. pilot check can top two BBC seasons, sparking fresh debate over UK comedy budgets and TV talent retention.
Paramount+ Picks Up Three A24 Series Including It Gets Worse and...
Paramount+ has acquired three A24 series: It Gets Worse, Major Players and The Ministry of Time, boosting its scripted TV lineup.
Why ‘Obsession’ and ‘Backrooms’ Became Surprise Box Office Giants in 2026
Obsession and Backrooms proved in 2026 that original horror, bold filmmakers, and cultural timing can still create massive box office surprises.
Kane Parsons Says Backrooms Is Not a Horror Project Despite Its...
Kane Parsons says Backrooms is not a horror project, despite its viral roots and major box office success.
Chris Hansen Finally Watched Primetime — and He’s Still Not a...
Chris Hansen finally watched Primetime and says the Robert Pattinson-led thriller feels detached from reality.
