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Good Noticings Hosts Claire Parker and Ashley Hamilton Sign With WME as Podcast Brand Eyes TV Expansion

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Claire Parker and Ashley Hamilton are taking Good Noticings into a bigger arena. The comedians, writers, and podcast creators have signed with WME, a move that signals ambitious plans for the fast-growing media brand as it expands into scripted and unscripted television, live touring, publishing, and more.

For fans of creator-led entertainment, the news is more than a routine agency deal. It reflects how successful podcasts are increasingly becoming launchpads for broader cross-platform businesses, and Good Noticings appears well positioned to be one of the standout examples in TV and video.

Good Noticings lands WME representation

According to the announcement, WME has signed Parker and Hamilton with the goal of helping them grow beyond podcasting. The agency will support opportunities across:

  • Scripted TV development
  • Unscripted television formats
  • Touring and live events
  • Literary and publishing projects
  • Brand partnerships and commercial collaborations

The duo also renewed their podcast distribution partnership with Vox Media, giving Good Noticings continued backing on the audio side while they branch into new formats. That combination matters: agency representation can open doors in Hollywood, while a stable distribution partner helps preserve momentum with existing listeners.

In a joint statement, Parker and Hamilton said they were excited to work with WME and continue their relationship with Vox Media, highlighting the support both partners have given the show and its broader creative ambitions.

Why Good Noticings has become a breakout culture brand

At its core, Good Noticings is a pop culture commentary podcast that blends headline analysis, recommendations, and conversational humor. Parker and Hamilton have built their appeal by making internet discourse feel sharper, funnier, and more digestible for a highly engaged audience.

Each week, the hosts move between celebrity news, entertainment criticism, books, movies, and cultural trends. That flexibility is part of the brand’s strength. Rather than living in a single niche, Good Noticings functions as a culture-forward media property that can travel across platforms.

Built on the success of Celebrity Memoir Book Club

The newer show builds on the audience Parker and Hamilton first cultivated with Celebrity Memoir Book Club, their earlier comedy podcast centered on celebrity memoir deep dives. Launched in 2020, that series earned strong critical and audience attention, including year-end recognition from major lifestyle and culture outlets.

It also proved the duo could convert a specific concept into a loyal fan community. That track record likely made them especially attractive to WME, which increasingly looks for talent with not only visibility, but repeatable business models.

The audience numbers behind the momentum

One major reason this signing stands out is scale. Parker and Hamilton reportedly reach a large Gen Z and millennial female audience, and their metrics suggest Good Noticings is no longer just a podcast with a cult following.

Key indicators of growth include:

  • More than 11.2 million all-time audio downloads
  • Over 100 million views across YouTube, TikTok, and Instagram in the past year
  • A multi-platform presence extending into newsletters, social content, book clubs, and live experiences

That kind of audience spread is especially valuable in the current media market. Studios, streamers, and advertisers are increasingly drawn to creator brands that can activate fans across audio, video, live events, and commerce.

Why agencies want creator-led IP

WME’s interest in Good Noticings fits a larger industry pattern. Talent agencies are investing heavily in creator-led intellectual property because it offers built-in audience trust and measurable engagement. Instead of developing a show entirely from scratch, entertainment companies can partner with creators who already command attention.

For Parker and Hamilton, that means their chemistry, commentary style, and fan community could become the basis for multiple formats, including:

  1. A talk or panel-style unscripted series
  2. Documentary or culture-focused specials
  3. Scripted comedy projects inspired by their voice
  4. Expanded digital video franchises

In other words, Good Noticings is now being treated less like a single podcast and more like a scalable entertainment property.

Brand partnerships and business growth

Another major factor in the duo’s rise is monetization. Parker and Hamilton have already worked with prominent brands including Macy’s, Amazon, Expedia, Nissan, Calvin Klein, Bacardi, Netflix, and others. Combined with advertising revenue and Patreon support, those deals show they have built a sustainable creator business.

That matters because TV expansion is often easier when a brand already has diversified revenue. It gives creators more leverage, more freedom in development, and more proof that their audience is commercially valuable.

WME talent agent Grayson Jernigan emphasized this point, describing Parker and Hamilton as creators who have built a real business around a loyal weekly audience. That framing is key: Good Noticings is being positioned not only as entertainment, but as a franchise.

What’s next for Claire Parker and Ashley Hamilton?

The immediate future includes live touring, with scheduled stops in Toronto and Chicago. But the bigger story is what could come next in TV and video. With WME support and Vox Media still in the picture, Parker and Hamilton now have the infrastructure to test larger projects without abandoning the podcast audience that got them here.

Possible next steps could include:

  • Pilot presentations for unscripted television
  • Streaming partnerships for video-first content
  • Adaptations of their commentary format into recurring series
  • Publishing projects tied to their audience community

As the lines blur between podcasting, influencer media, and traditional entertainment, Good Noticings may become a case study in how digital-native voices break into mainstream screen formats.

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Conclusion

The WME signing is a pivotal moment for Good Noticings. Claire Parker and Ashley Hamilton have already shown they can build a loyal audience, create a recognizable voice, and turn podcast success into a broader media business. Now, with agency representation and continued Vox Media support, they are in a strong position to translate that momentum into TV, video, live events, and beyond. For anyone tracking the future of creator-led entertainment, Good Noticings is a brand worth watching closely.

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